RYAN GANDER
Fttt, Ft, Ftt, Ftt, Ffttt, Ftt,
OR SOMEWHERE BETWEEN A MODERN REPRESENTATION OF HOW A CONTEMPORARY GESTURE CAME INTO BEING, AN ILLUSTRATION OF THE PHYSICALlITY OF AN ARGUMENT BETWEEN THEO AND PIET REGARDING THE DYNAMIC ASPECT OF THE DIAGONAL LINE AND ATTEMPTING TO PRODUCE A CHROMA-KEY SET FOR A HUNDRED CINEMATIC SCENES, 2010
The gallery space is entirely covered by hundreds of simple matt black arrows all of which seem to have been shot from the side of the gallery that faces the most commonly used entrance. The arrows randomly penetrate the walls and floor, protruding into the gallery space at various angles and depths.
The gallery space is entirely covered by hundreds of simple matt black arrows all of which seem to have been shot from the side of the gallery that faces the most commonly used entrance. The arrows randomly penetrate the walls and floor, protruding into the gallery space at various angles and depths.
Installation view: Arter, İstanbul, 2016
Courtesy of the artist. © Ryan Gander.
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